Selected Editing
​​
I Wanted a Boyfriend. My Life Coach Told Me to Become a Commodity. -Geoffrey Mak (The Nation)
​
When Teens Send Nudes -Gail Cornwall (The Nation)
​
The Invisible Lives of Israel’s Thai Workforce -Tim McLaughlin (The Nation)​
​
“Made in America” Never Meant More Ethical -Derek Guy (The Nation)
​
You Don’t Need a Script to Speak to Your Child -Kate Shannon Jenkins (The Nation)
​
The Obscured and Forgotten History of Black Communist Women -Morgan Forde (The Nation)
​
Truth in the Age of the Deepfake -Marianela D'Aprile (The Nation)
​
Everyone Deserves Grandeur -Marianela D'Aprile (The Nation)
​
“Stats Bros” Are Sucking the Life Out of Politics -Leif Weatherby (The Nation)
​
Can Harris and Walz Meme Their Way to the White House? -Ginny Hogan (The Nation)
​
RFK Jr. Is Scary. His Online Fans Might Be Scarier. -Maya Vinokour (The Nation)
-
Featured on the Time to Say Goodbye podcast
​
How I Didn't Die: My Day at Bryan Johnson​'s Immortality Summit - Maya Vinokour (The Nation)
​
The Dubious Ethics of “the World’s Most Ethical Companies” -Jess McAllen (The Nation)
-
Featured on the Trillbilly Worker's Party podcast
​
Las Vegas Hospitality Workers Have an Ace Up Their Sleeve -Nicholas Russell (The Nation)
​
Bring the Girls: On Allie Rowbottom’s Aesthetica -Emmeline Clein (Cleveland Review of Books) ​
​
In Search of Self through the Other: On Domenico Starnone's Trust -Julia Case-Levine (Cleveland Review of Books)
​
All Hat No Cattle: On The Marfa Invitational Art Fair -Jack Christian (Cleveland Review of Books)
​
The Squanderer and the Seduced: On Fernanda Melchor's Paradais -Henry Hietala (Cleveland Review of Books)
​
Just Some Body: On Lillian Fishman’s Acts of Service -Sophia Stewart (Cleveland Review of Books)
​
Picture House: On Esther Kinsky’s Seeing Further -Saffron Maeve (Cleveland Review of Books)
​
Love, Safety, and the 1990s: On Annie Baker’s Janet Planet -Greta Rainbow (Cleveland Review of Books)
​
Spilled Oil: On Lydia Kiesling’s Mobility -Kim Hew-Low (Cleveland Review of Books)
​
Michel Houellebecq Explains Himself: on “Annihilation” -Jason Rogers (Cleveland Review of Books)